But there’s a gelato-flavored light at the end of the tunnel. In May after I finish my last gig of the 2013-2014 season I get to fly to Rome on a journey purely for fun — to join N on his choir tour, visit dear friends, and eat again at all our favorite restaurants. Serious quantities of frequent flyer miles are a not insignificant consolation prize for all those hours in cramped airplane seats. Just two years ago it was miles that made our Roman honeymoon possible.
I’ll fly right from that last gig (in Miami with Seraphic Fire) to Italy. I’m super excited about this because every time I arrive into Miami’s beautiful terminal,
I’m happy to be there but partly wish I were connecting on to somewhere else. You see, MIA is the gateway to Latin America and the Carribean. From Raleigh there are 3 direct flights to Miami every day on American, and they’re usually full. But most of those travelers don’t have South Florida as their final destination. They’re either getting on cruise ships to sunny, beachy places, or they’re connecting to another flight to somewhere even more exotic. Here’s are the places I hear as we’re landing and they’re announcing the connecting gates for everyone on the plane:
I know, it’s obnoxious to whine about going to Miami when most of the country is daydreaming about mojitos on South Beach, but it’s hard to walk by departure boards like this:
and not indulge in a few dreams of my own. So in May I’ll be wheeling my little suitcase up to a departure gate, passport in hand, making a dream a reality.
Our Voices of a New Renaissance concerts last weekend were a huge success. They were musically excellent and exciting, and the size and response of our two audiences were better than we’d even dared to dream. We ran out of programs Saturday night! We now have an official group photo:
And it’s on to Phase Two. Now that we’ve successfully launched VOANR, it’s time to plan for the group’s future. We want to make an even bigger impression with our next concerts, to reach new audiences and cement VOANR’s place in the Triangle’s music scene. To fund our January 31-February 1 Love and Loss concerts, we’re raising funds through a project on Kickstarter.
I’ve been a Backer to several (7, according to Kickstarter) friends’ Kickstarter projects, and I’ve always looked forward to being involved in a project of my own. So far it’s been a blast. First, N and I created a goofy project video. And then we launched our project —
— and then we waited to see if people were as excited as we were, and if they’d become Backers.
The response has been overwhelming. The generosity of our fans, friends and families is thrilling, encouraging and humbling. In the first 72 hours we exceeded 20% of our goal. I’m pretty addicted to checking our project’s dashboard on Kickstarter’s site:
Now we just have to start writing amusing and informative email updates to our Backers, and to keep up the momentum until we reach our goal. Click here to see where we are.
For a couple years N and I have talked about starting a professional choir here in the Triangle, and last spring we decided to stop talking and make it happen. There isn’t a professional choir here that specializes in early music, nor one that performs across the entire 3-city area, so that gave us inspiration for our group: Voices of a New Renaissance.
Our first concerts are tonight and tomorrow. We’ve gathered ten of the best singers from around the Triangle,
(one of them missing from this photo, but official group photos coming soon!) and our rehearsals so far have been thrilling.
The program for this weekend is titled Sacred and Profane and it explores both the sacred and the secular sides of vocal music. We’ll sing Renaissance favorites like Palestrina’s “Sicut Cervus” (and its little-performed second part, “Sitivit anima mea”) and “Hosanna to the Son of David” by Weelkes, plus selections from Britten’s multi-movement “Sacred and Profane” which is stunning, and Craig Wiggins joins us for lute songs by Dowland and his contemporaries.
N is conducting, and I volunteered to manage the business aspects of the group, along with singing in the choir of course. I always need to have a project going, and I’ve enjoyed the organizational and promotional aspects of the smaller groups I’ve managed, Les Sirènes and the Swara Sonora Trio. Running VOANR seemed like a logical next step. N and I have been busy getting everything up and running, but so far it feels like everything is totally under control. Are we crazy?