Lucky in Life

How lucky am I, that I get to have a life of music. That’s what I was thinking Saturday night as I drove home from a second day of fun and successful rehearsals with Les Sirènes.

Whenever I get frustrated by the many challenges of a performing career — the travel, the financial uncertainty of stringing gigs together into a livelihood, the pressure of performance, the danger of slipping into professional envy of another singer’s great gigs — I say to myself, “wait, you are making A LIVING doing the thing you love most.” It may not be an easy living, but since I don’t love anything else as much as I love singing, it sure beats doing anything else.

Les Sirenes performance

One of the things that makes all the pressures easier to handle is my colleagues. It’s hard to describe how wonderful it is to be in rehearsal with others who breath music, sharing knowledge and opinions and laughs, or to take the stage in performance together, the electricity between us radiating out into the audience.

Sometimes in the middle of a rehearsal or performance I look around me, and I can hardly believe that I’ve made it to a point in my career when I get to make music at the highest level with other musicians who are leaders in their field.

Knowing so many professionals comes in handy in a pinch, too.

In 2009 I formed Les Sirènes, a Boston-based baroque chamber music group, with my dear friend Kristen Watson. Freelancers have crazy schedules, and it turned out that Kristen and our harpsichordist Michael Sponseller weren’t available for our concert yesterday in Durham. Our cellist Cora Swenson Lee and I made calls to a soprano and a keyboardist we’d worked with in other groups, and we quickly had two very excellent substitutes lined up for the trip to North Carolina.

In just two days of rehearsing with Clara Rottsolk and Dylan Sauerwald we pulled together a polished and moving concert of French baroque music. We were able to work quickly because we communicated so many ideas on the fly without words, and because we enjoyed each other’s company and musicianship so much. Our concert was two hours of joy for me and I think also for our audience, many of whom were moved to tears by our closing piece, Couperin’s luscious Troisième Leçon de Ténèbres.

Regrettably, I did not get a recording of the concert since I failed to ensure there was space on my recorder’s memory card (and oh, am I grumpy about that). But we have the pictures to prove it, and maybe we’ll get to do it again sometime.

Les Sirenes

Thank you to my gracious and talented colleagues, and to all the people who support my career and the lives of musicians everywhere.

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A Musical Launch

For a couple years N and I have talked about starting a professional choir here in the Triangle, and last spring we decided to stop talking and make it happen. There isn’t a professional choir here that specializes in early music, nor one that performs across the entire 3-city area, so that gave us inspiration for our group: Voices of a New Renaissance.

VOANR logo

Our first concerts are tonight and tomorrow. We’ve gathered ten of the best singers from around the Triangle,

Voices of a New Renaissance members

(one of them missing from this photo, but official group photos coming soon!) and our rehearsals so far have been thrilling.

The program for this weekend is titled Sacred and Profane and it explores both the sacred and the secular sides of vocal music. We’ll sing Renaissance favorites like Palestrina’s “Sicut Cervus” (and its little-performed second part, “Sitivit anima mea”) and “Hosanna to the Son of David” by Weelkes, plus selections from Britten’s multi-movement “Sacred and Profane” which is stunning, and Craig Wiggins joins us for lute songs by Dowland and his contemporaries.

N is conducting, and I volunteered to manage the business aspects of the group, along with singing in the choir of course. I always need to have a project going, and I’ve enjoyed the organizational and promotional aspects of the smaller groups I’ve managed, Les Sirènes and the Swara Sonora Trio. Running VOANR seemed like a logical next step. N and I have been busy getting everything up and running, but so far it feels like everything is totally under control. Are we crazy?

If you’re in the Triangle area, please join us tonight or tomorrow. Complete concert details are on our website, www.voanr.com. If you’re far away and you want to follow VOANR’s progress, find us on Facebook or join our email list.

And wish us luck!