Yesterday I had to make space in my wallet for my shiny new ECU ID card (so excited to be able to check out books and scores from a music library for the first time since I finished my masters at the U of A),
and I stumbled upon a pocket containing fare cards from the public transit systems of a few cities I’ve sung in lately. It made me feel well-traveled and cosmopolitan to lay them on the table.
They’re nice reminders of great music and fun times I’ve had in New York,
As I scanned through my photo collection to choose the city photos above, I got tired just looking at all the places I’ve been in the past year. I adore travel and it’s one of my favorite parts of my job. Sometimes though, it’s the best thing in the world to have a beautiful fall weekend at home and a free evening tomorrow to go hear some bluegrass music downtown.
Our Voices of a New Renaissance concerts last weekend were a huge success. They were musically excellent and exciting, and the size and response of our two audiences were better than we’d even dared to dream. We ran out of programs Saturday night! We now have an official group photo:
And it’s on to Phase Two. Now that we’ve successfully launched VOANR, it’s time to plan for the group’s future. We want to make an even bigger impression with our next concerts, to reach new audiences and cement VOANR’s place in the Triangle’s music scene. To fund our January 31-February 1 Love and Loss concerts, we’re raising funds through a project on Kickstarter.
I’ve been a Backer to several (7, according to Kickstarter) friends’ Kickstarter projects, and I’ve always looked forward to being involved in a project of my own. So far it’s been a blast. First, N and I created a goofy project video. And then we launched our project —
— and then we waited to see if people were as excited as we were, and if they’d become Backers.
The response has been overwhelming. The generosity of our fans, friends and families is thrilling, encouraging and humbling. In the first 72 hours we exceeded 20% of our goal. I’m pretty addicted to checking our project’s dashboard on Kickstarter’s site:
Now we just have to start writing amusing and informative email updates to our Backers, and to keep up the momentum until we reach our goal. Click here to see where we are.
For a couple years N and I have talked about starting a professional choir here in the Triangle, and last spring we decided to stop talking and make it happen. There isn’t a professional choir here that specializes in early music, nor one that performs across the entire 3-city area, so that gave us inspiration for our group: Voices of a New Renaissance.
Our first concerts are tonight and tomorrow. We’ve gathered ten of the best singers from around the Triangle,
(one of them missing from this photo, but official group photos coming soon!) and our rehearsals so far have been thrilling.
The program for this weekend is titled Sacred and Profane and it explores both the sacred and the secular sides of vocal music. We’ll sing Renaissance favorites like Palestrina’s “Sicut Cervus” (and its little-performed second part, “Sitivit anima mea”) and “Hosanna to the Son of David” by Weelkes, plus selections from Britten’s multi-movement “Sacred and Profane” which is stunning, and Craig Wiggins joins us for lute songs by Dowland and his contemporaries.
N is conducting, and I volunteered to manage the business aspects of the group, along with singing in the choir of course. I always need to have a project going, and I’ve enjoyed the organizational and promotional aspects of the smaller groups I’ve managed, Les Sirènes and the Swara Sonora Trio. Running VOANR seemed like a logical next step. N and I have been busy getting everything up and running, but so far it feels like everything is totally under control. Are we crazy?