Marital Music-making

It’s the beginning of the crazy time (read: Christmas season) for musicians, so I’m late on posting this blog. I didn’t want to miss the chance though, to write about a fun musical day I had a couple weeks ago when my husband conducted an all-Beethoven program,

Nathan Leaf conducting

of the Raleigh Civic Symphony, with his NCSU choirs, and North Carolina Symphony and NCSU faculty players as soloists, in Meymandi Hall downtown.

NCSU at Meymandi Hall

I sang Beethoven’s song “Seufzer eines Ungeliebten und Gegenliebe” as a warmup for the Choral Fantasy, which uses the same tune, and it was a delight to sing in that beautiful hall with the talented Tom Koch playing piano with me.

Even more fun, though, was getting to share a dressing room with my husband.

dressing room sign

Since he’s a college choir director and I’m a freelance soprano who travels the country, we don’t get to perform together very often, and it was a treat to prepare together and perform on the same stage. During intermission some of Nathan’s students were walking by our room and one of them said, “oh, they get to share a dressing room because they’re married!” Hey, we’ll take the perks.

And on a side note, having a private dressing room is totally awesome — since many of the groups I sing with perform in churches, I’ve changed in choir rooms, nurseries, and sacristies, and when I was on Arizona Opera’s school tour years ago we had to do costumes, wigs and makeup in an honest-to-goodness custodial closet once — but dressing rooms, even in major halls like Meymandi, aren’t that glamorous. They’re usually in the basement or some other windowless place, and they’re pretty basic: counter, lights, sink, chairs (but usually not very comfortable ones). They do often have private restrooms which is really nice.

inside a dressing room

But you get your name on the door and that’s pretty special. And sometimes it’s your name and your husband’s name on the same door, which is even better.

Kickstarter Adventure

Our Voices of a New Renaissance concerts last weekend were a huge success. They were musically excellent and exciting, and the size and response of our two audiences were better than we’d even dared to dream. We ran out of programs Saturday night! We now have an official group photo:

VOANR group photo

And it’s on to Phase Two. Now that we’ve successfully launched VOANR, it’s time to plan for the group’s future. We want to make an even bigger impression with our next concerts, to reach new audiences and cement VOANR’s place in the Triangle’s music scene. To fund our January 31-February 1 Love and Loss concerts, we’re raising funds through a project on Kickstarter.

I’ve been a Backer to several (7, according to Kickstarter) friends’ Kickstarter projects, and I’ve always looked forward to being involved in a project of my own. So far it’s been a blast. First, N and I created a goofy project video. And then we launched our project

Kickstarter project

— and then we waited to see if people were as excited as we were, and if they’d become Backers.

The response has been overwhelming. The generosity of our fans, friends and families is thrilling, encouraging and humbling. In the first 72 hours we exceeded 20% of our goal. I’m pretty addicted to checking our project’s dashboard on Kickstarter’s site:

Kickstarter dashboard

Now we just have to start writing amusing and informative email updates to our Backers, and to keep up the momentum until we reach our goal. Click here to see where we are.

A Musical Launch

For a couple years N and I have talked about starting a professional choir here in the Triangle, and last spring we decided to stop talking and make it happen. There isn’t a professional choir here that specializes in early music, nor one that performs across the entire 3-city area, so that gave us inspiration for our group: Voices of a New Renaissance.

VOANR logo

Our first concerts are tonight and tomorrow. We’ve gathered ten of the best singers from around the Triangle,

Voices of a New Renaissance members

(one of them missing from this photo, but official group photos coming soon!) and our rehearsals so far have been thrilling.

The program for this weekend is titled Sacred and Profane and it explores both the sacred and the secular sides of vocal music. We’ll sing Renaissance favorites like Palestrina’s “Sicut Cervus” (and its little-performed second part, “Sitivit anima mea”) and “Hosanna to the Son of David” by Weelkes, plus selections from Britten’s multi-movement “Sacred and Profane” which is stunning, and Craig Wiggins joins us for lute songs by Dowland and his contemporaries.

N is conducting, and I volunteered to manage the business aspects of the group, along with singing in the choir of course. I always need to have a project going, and I’ve enjoyed the organizational and promotional aspects of the smaller groups I’ve managed, Les Sirènes and the Swara Sonora Trio. Running VOANR seemed like a logical next step. N and I have been busy getting everything up and running, but so far it feels like everything is totally under control. Are we crazy?

If you’re in the Triangle area, please join us tonight or tomorrow. Complete concert details are on our website, www.voanr.com. If you’re far away and you want to follow VOANR’s progress, find us on Facebook or join our email list.

And wish us luck!